SUPERSCIO #8D

           VARIOUS IMPLANT PLATENS - continued


Copyright 1996

All commercial rights are reserved to the author, who currently
wishes to remain anonymous and therefore is writing under the
pen name of "The Pilot".  Individuals may freely copy these files
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                  17. THE HUMAN IMPLANT

This one was intended to make you human.  If you're rebelling
against God, you can't be a god.

1. (a big being comes out and says "I created you")


















                  18. THE POLES IMPLANT

This one uses a double row of metal poles which are charged.
It is done to a bodiless thetan (who is being an energy body).
You bang back and forth between the poles, going down the row
in a zig zag.  Items are laid in with the impacts as you hit
the poles.

This might be basic on running into lampposts.  It might also
underlie poor vision.  It is restimulated by people shoving
somebody around.

This was probably used by the body people against the thought
people in the theta-mest wars.

This laid in ideas like:

a) you must not use force
b) you must care for the body
c) neither side is right in a conflict
d) anyone who fights is wrong
e) control yourself
f) constrain yourself
g) the use of energy is evil.
h) to never change

I didn't bother to work out the exact wording of all the goals
used, but they would be in keeping with the above list of ideas.
I ran the first goal, which is "to (never) use energy" and the
whole thing pretty much blew.  The item pattern I found on the
first goal was as follows:


















18. (silence)  (you fly through the pole instead of impacting on it)
  (you can see the double row of poles continuing on down the
  corridor and you expected to keep going)

19. NIX TO USE ENERGY (head impact as you hit the "wall" on the far
     side of the pole.  The wall is an energy screen)

(then you drift out of the far side of the wall and all is quiet and
you get the following item)


(then you are drawn into another corridor containing a double row of
poles and they do the next goal).


               19. THE ANTI-PSYCHIC IMPLANT

This one was designed to block OT abilities.

Although this uses a double firing item pattern (items coming
from both sides), they used a double negative in the opposing
item so that both sides basically means the same thing (instead
of being opposites as is usually the case).  Instead of being
a goal oppose type sequence, its like being caught between two
people who are pushing you back and forth while they say the
same thing in different ways.

It may have been setup this way because the implanters were afraid
of anyone ever sliding into the opposite and dramatizing it (which
happens occasionally on goal oppose type item patterns).  If you're
implanting people into being loyal soldiers (and using a traitor
as the opterm), you can live with the occasional guy who flops
the other way and turns into a traitor.  But if you're implanting
him to keep him from reading minds, the few who flop the other
way and become mind readers might be too much of a danger.



1A.  UNFAIR TO ...                  1B.  FAIR TO NEVER ....

2A.  GAMELESS TO ...                2B.  GAMEFUL TO NEVER ....


4A.  HARMFUL TO ....               4B.  HARMLESS TO NEVER ....

5A.  HURTFUL TO ....                5B.  UNHURTFUL TO NEVER ....

6A.  PAINFUL TO ....                6B.  PAINLESS TO NEVER ....

7A.  DANGEROUS TO ....              7B.  SAFE TO NEVER ....

8A.  EVIL TO ....                   8B.  BLESSED TO NEVER ....

9A.  BAD TO ....                    9B.  GOOD TO NEVER ....


11A. BEST TO NEVER ....            11B.  NOT BEST TO ....

12A. HOPEFUL TO NEVER ....         12B.  HOPELESS TO ....    


            13B. THIS IS YOUR DECISION


The list of endwords that fit into the above platen are as follows:

1. To Leave

2. To Read Minds

3. To Levitate Objects

4. To Operate Without a Body

5. To Generate Energy

6. To Predict the Future

7. To Teleport

8. To Project Telepathically

9. To Disappear (or to be invisible)

10. To See Remotely

11. To Disobey This


                  20. THE CHOICES IMPLANT

I think that this is very early, possibly as far back as home
universe.  But that could be a false date.  It is also possible
that this is part of the between lives sequence.

Here you are given a real choice and decide which aberration you
get.  The second part varies depending on your responses in the
first section.  

There may be a short beginning segment that shows you why you have
to choose.  

First Section:

On each of these, they hound you and keep hitting you with energy
waves and keep repeating the item until you choose on or the other.




Second Section:

This section varies depending on your responses to the first section.
You either get one or the other item of the pair.  This may have been
implanted multiple times, so both items should be run, but they 
might not react equally.  If you put your attention on a specific
occurrence of the implant, only one of each pair should read.

1a. The only way to be sane is to be trapped
1b. The only way to be free is to be insane

2a. The only way to be causative is to be hated
2b. The only way to be liked is to be effect (subservient)

3a. The only way to win is to be wrong (cheat)
3b. The only way to be right is to lose

4a. The only way to be beautiful is to be dishonorable
4b. The only way to be honorable is to be ugly

5a. The only way to be strong is to be stupid
5b. The only way to be wise (smart) is to be weak

6a. The only way to be courageous is to be unaware
6b. The only way to be aware is to be fearful

7a. The only way to perceive is to agree with the creations of others
7b. The only way to be creative is to not-look (no-is)

8a. The only way to be certain is to ignore the truth
8b. The only way to be truthful is to be unsure

9a. The only way to have anything is to remain in place
9b. The only way to be active (move around) is to have nothing

10a. The only way to have knowledge is to be disturbed (upset)
10b. The only way to be serene is to not know

11a. The only way to remember is to be sad.
11b. The only way to be happy is to forget.

12a. The only way to be skillful is to follow orders
12b. The only way to be independent is to be incapable.

Third Section:

Then they badger you about the choice you made.  On each one, 
they say (depending on how you answered in section 1),

"You said freedom was better than sanity.  Why was that the right

They keep pushing at you with this until you mockup a reason and
start defending it.


                 21. THE THIRD EYE IMPLANT

See History of Man for a general description of Fac 1 and see the
FAC 1 platen given elsewhere in these materials.  This incident is
almost identical to it in style, context, and in terms of the
implant machinery used.  I dated some of these at around 1 million 
years ago with a duration of around 45 to 53 minutes.  The earlier
one that I labeled Fac 1 seems to be a bit earlier, at around 2
million years ago.  

Probably the first Fac 1 implant was replaced by this one.  But it
is also possible that both platens were used as part of the same
implant.  Since these are very late on the chain, its hard to 
get good data because there is a tendency to mix things up with
earlier incidents that were restimulated.  Since a lot of the
context is the same, and since Ron was pushing people into locating
Fac 1 by describing it to them first, it is probable that he got
either one on PCs at random when it was being researched in 1952.

It seems to occur at about 14 items per second giving around 6 
minutes per run with a small pause between runs as the beam is 

Each run comes in as a supersonic beam containing speeded up 
verbally stated items (in an old language).  You can't hear the 
items as it happens, you just hear a noise, but BTs and Split 
valences sometimes caught the items (i.e. subliminal).

There are 9 runs: 1 - Forehead, 2 - right side, 3 - left side, 4 - 
chest, 5 - stomach, 6 - mouth, 7 - right eye, 8 - left eye, 9 -

The items are in the form To (goal) IS TO BE THE (valence).  
They do all 64 penalty universe goals on the valence of the first 
penalty universe, then they repeat with the valence from the 
second universe etc.  The goals run from Create down to Endure, 
the valences run from the Statue down to the Pyramid.

I.E., the first item is To Create is to be the Statue.  The second 
item is To Mock up is to be the statue.  After they get down to To 
Endure is to be the Statue, they change to the second terminal.

Since all valences and all goals of the penalty universes were 
Chris-crossed with each other, this acts like an endless set of 
wrong items.

There is also an overt side to this where you are the operator of 
the Fac 1 machine.  In this case, you might get a vibration of 
wrong items in your hands as you turn the crank etc.



(Oct 1996:  Of all the splitter platens I ran before finding the
"point to" process, this was the only one that I had success with.
But it didn't go all the way and gradually it got harder to run.
On later review, I was occasionally leaving stuff unhandled that
wouldn't respond to this platen and eventually enough of that built
up to bring me to a halt.  If you use the "point to the being you
divided from" command in each location as you go through the items,
you should have an easy time of it with this platen).

30 March 1990

This is part of the implant that is used to throw you out of the 
Games universe and into the Symbols universe.  There is 
probably much more to the incident and I don't have the details at 
this time, however, this is the part that messed you up by making 
you divide into many split valences that would stay submerged out 
of site and compel you do feel things.  This was done for each of 
the 64 terminals of the 64 penalty universes starting with Create 
(the god statue) and going down to Endure (the pyramid) and then 
was done for the 64 terminals of the negative goals installed by 
the treadmill.  The negative ones start from the inverted 1st 
dynamic and run down to the negative 16th dynamic ending with 
Destroy (the devil statue).  Note that this is not the same order as 
was used in the treadmill (where the negative goal comes right 
after the positive goal).  Since the positive terminals all come first 
in this implant, it is probably best to run all of the positive ones 
before doing any negative ones but this needs further research.

You should run the penalty universe immediately before you try 
to run the compulsion on the terminal of that universe.  Only run 
this if it seems to indicate and draw your attention.  Also, it is 
preferable to run terminals up near the top of the dynamics first.  
Preferably, you should start with create.  This is best left until a 
second pass on the penalty universes, but use your 

This turns up many more BTs and clusters than running the 
penalty universe itself does.  Usual handling for a cluster that 
doesn't blow on inspection is to have it spot the top of the penalty 
universe (i.e., native state item).  Although it is not generally their 
cluster forming incident, it is a vast undercut on all incidents 
relating to the goal and usually causes the cluster to come apart 
immediately (then handle individuals remaining).

Negative terminals are a problem to run.  The treadmill crossover 
must be really flat and you need to key out enough later 
restimulations of the collapse of the positive goal into the 
negative (i.e., hellatrobus and other implants that swing the 
positive goal items into the negative ones) to the point where it is 
possible to spot the top of the positive penalty universe from the 
negative items.  Otherwise, it is just too difficult to blow BTs out of 
the negative terminals.

When I first researched this, I didn't have the anatomy and used a 
platen based on the sequence of items in the penalty universes 
that creates the predisposition to have these split valences.  The 
penalty universe only temporarily created a split (which didn't 
remain split) and only setup the (terminal) in back (and later, you 
leave a split behind in the grave in the penalty universe as well).  
These would dissolve when you came out of the penalty universe.  
The items are To (goal) is to be the (terminal) in back; and then to 
(goal) is to a) hide, b) control, c) inspire, d)detest, e) compel 
yourself and f)deny responsibility.  I used this to pull out the 
terminal in back without realizing that I was bypassing the others.  
It was effective enough to get it out but it was like prying out a 
piece of the muscles (which got sore afterwards).  Also, the Third
Eye implant went into heavy restim (third eye sensations).  I haven't 
had this problem with the 10 way platen given here, but it is possible that 
the third eye stuff can restimulate.  If it does, run the Third Eye
Implant platen given elsewhere in these materials.

Run these items lightly.  It is easy to push to hard and slip into a 
different split or bring the third eye into restim.  Often, the pattern 
of 10 blows while your running the first few items.  If it does, just spot 
each of the other locations and assume responsibility for having 
issued compulsions from it.  (also do the "point to" step here).

If the first item doesn't read well, drop this action.  Check for 
BTs/Clusters restimulated and not blow and then bail out.  
Running this over a stiff needle with only very tiny reads 
restimulates more than it releases.  The needle should be loose 
between items and read well.  If it was and then tightens up, it is 
almost certainly an overrun.  The faintest overrun here will lock 
the needle up like a board, partially from the restimulation of the 
other terminals in the implant but also because you start stirring up 
the GPM for the goal and other implants as well.  (it probably will
not be this touchy if you are using the "point to" command).

On a rehab, you might need to a) spot and indicate the EP, b) 
handle BTs and clusters that were about to blow and then were 
invalidated and stopped, and c) run a few lines of platen 1 on the 
goal to key out later implants.  It might take all of this to get an FN.  
Then do the light spotting of the 10 locations and reassume 
responsibility (skip this if it doesn't indicate, you don't want to 
overrun it again).

Mostly, BTs and Clusters will blow automatically as you run this.  
You may see sparks and things as they go.  If you get weird 
sensations, its probably a partial blow, but there can be a slight 
weird sensation (not unpleasant) of things shifting around 
sometimes that is a simple side effect of the valence walls 
dissolving (your space is bigger and other masses move around).  
Sometimes other BTs & Clusters will protest a bit because blowing 
the splits makes them shift around.  Acknowledge, indicate the 
BPC, and if they are accessible, blow them (or just leave things 
alone if not easily reached).

After these split valences were setup, there is a later part of the 
incident that gave them all wrong locations etc.  You simply run 
them in the original locations relative to yourself (they can still be 
reached there even though they are often elsewhere in the 
body).  Sometimes you have to spot the fact that wrong locations 
and terminals were implanted into these splits later in the incident.

The third eye implant sent in a stream of wrong items for these valences 
(see the platen).  The stream hit various parts of the body and 
screwed the split valences and BTs and Clusters up further on a 
random basis.  Sometimes you have to spot the stream of wrong 
items (don't bother trying to run the items in detail, just spot a 
stream of them coming in).  You can also check and indicate 
BTs/Clusters messed up by the third eye implant.

When a split valence goes, often a BT or cluster will try to mock it 
up again.  You should check for this as a general cleanup after 
doing the items.  You can also use it if needed while running the 

If an item doesn't read, do the following until the situation seems 

a) Check for overrun
b) Check for a BT or Cluster
c) Spot the wrong locations being laid in at the end of the incident.
d) Spot the wrong item stream of the third eye implant.
e) Check for a BT/Cluster copying, hiding, suppressing or 
keeping the valence mocked up.

Also do steps b to e after completing the 10 way run and then spot 
the top line (native state) of platen 1 for the goal.  (this might be
excessive if you're using the "point to" command - use your


           10 Way Compel items:

TO (goal) IS TO BE THE (terminal) IN (location) AND COMPEL 
MYSELF TO (goals compulsion) FOREVER.

The locations are as follows:

1. Front
2. Back
3. Right
4. Left
5. Top
6. Underneath
7. Past  (and young precedes the terminal)
8. Future (and old precedes the terminal)
9. Grave (and dead precedes the terminal)

10. TO (goal) IS TO BE THE (terminal) IN THE CENTER AND 
For Past, the split valence is actually riding slightly back of PT 
trying to keep things in restimulation.

For future, the split valence is actually riding slightly in the future 
trying to create future track for you.

For the Grave item, it refers to the grave in which the terminal 
was buried in the penalty universe.

To clarify the way to form the past, future, and grave items, the 
past item for the goal to eat is To eat is to be the young tiger in 
the past and compel myself to feel hungry forever.

Run each item in its correct location.  Then do the "point to"
command in that location.

After running the 10 items for a compulsion, try to run it on flow 2
which would be pieces of yourself that you have on other people.
Do this by getting the idea that you might be projecting this 
compulsion at someone else, spot the location and item and then
do the "point to" command.  You may have many for each item.  I only
started doing this after I had run quite a bit of these on myself
only, so its possible that you might need to work up to this step on
a gradient.


       10 Way Compel:  Compulsions List

Each of these is run in the 10 items/locations given above.

As usual, I didn't run everything thoroughly and I can't guarantee
that all of these are correct or complete.  When I first ran this,
I started with "endure" and worked up to "create" but I think that
that was backwards so I have placed "create" as the first item.

1. To create is to be the statue in ... and compel
     myself/others to create reality forever.

2. To cause is to be the god in ... and compel myself
   (to be good ?) forever.

3. To mock up is to be the computer (in ...) and 
   compel myself/others to keep this all created, forever.

4. To imagine is to be the (cartoon mouse) (in ...)
  and compel myself/others to create illusions forever.

5. To know is to be the dodo in ... & compel
  myself/others to collect pictures forever.

6. To understand is to be the chipmunk in ... & compel
  myself/others to seek understand forever.

7. To absorb is to be the hero in ... & compel
  myself/others to be embodied in form (?) forever.

8. To learn is to be the gnome in ... & compel myself/others 
  to accumulate data without understanding(?) forever.

9. To exchange is to be the Wizard (spirit broker?)  in ... & compel
  myself/others to crave souls forever.

10. To play is to be the child in ... & compel myself
  to avoid responsibility forever.

11. To compete is to be the coach in ... & compel
  myself/others to win forever.

12. To manipulate is to be the banker in ... and
  compel myself/others to crave wealth forever.

13. To combine is to be the twin in ... and compel
  myself/others to need support forever.

14. To shape is to be the clay person in ... and compel
  myself/others to need bodies (shapely forms) forever.

15. To change is to be the sorcerer in ... and compel
  myself/others to be arrogant forever.

16. To align is to be the bear person in ... & compel
  myself/others to enforce agreements forever.

17. To reason is to be the clown in ... & compel
  myself/others to obey logic forever.

18. To orient is to be the wireman genius in ...
  & compel myself/others to need orientation forever.

19. To guide is to be the pilot (in ...) and compel
   myself/others to lead forever.

20. To compute is to be the toy in ... and compel
  myself/others to figure-figure forever

21. To construct is to be the beaver in ... and compel
  myself/others to entrap people forever.

22. To engineer is to be the lobster in ... and compel
  myself/others to need machinery forever

23. To build is to be the lizard man in ... and compel
  myself/others to acquire mass forever.

24. To structure is to be the crystal in ... and compel
 myself/others to stay in alignment forever.

25. To invent is to be the munchkin in ... & compel
  myself/others to need appreciation forever.

26. To enhance is to be the ghost in ... & compel
  myself/others to dub in forever.

27. To inspire is to be the muse in ... and compel
  myself/others to dream forever.

28. To beautify is to be the fairy godmother in ... & compel
  myself/others to sacrifice for art's sake forever.

29. To purify is to be the fire person in ... & compel
  myself/others to fanaticism forever

30. To arbitrate is to be the minotaur in ... & compel
  myself/others to need agreement forever.

31. To defend is to be the little man in ... & compel
  myself/others to harm others in a just cause forever.

32. To strengthen is to be the strong  man in ... & compel
  myself/others to use force forever.

33. To enlighten is to be the rabbit in back and
  compel myself/others to need adoration forever.

34. To convert is to be the reptile in ... & compel
  myself/others to depend on gods forever.

35. To  connect is to be the angel in ... & compel
  myself/others to need fulfillment forever.

36. To worship is to be the knight in ... & compel
  myself/others to believe in god forever.

37. To predetermine is to be the soothsayer in ... &
  compel myself/others to fulfill my/their fate forever

38. To collect is to be the elf in ... & compel
   myself/others to crave souls forever

39. To influence is to be the cupid in ... & compel
  myself/others to trick others forever.

40. To embody is to be the goat god in ... 
  & compel myself/others to crave solid forms forever.

41. To locate is to be the leprechaun in ... & compel
  myself/others to be located forever.

42. To permeate is to be the theta body in ... &
  compel myself/others to obey orders forever. (?)

43. To energize is to be the thought circle in ... & compel
  myself/others to obey the laws of energy forever (?)

44. To gather is to be the invader in ... & compel
  myself/others to crave mass (havingness) forever.

45. To grow is to be the GE in ... & compel
  myself/others to operate through bodies forever. (?)

46. To discover is to be the centaur in ... and compel 
  myself/others to dominate others forever.

47. To heal is to be the treeman in ... & compel
  myself/others to depend on healing forever.

48. To adapt is to be the thread man in ... & compel
  myself/others to conform to everything in the environment forever.

49. To establish is to be the cyclops in ... & compel
  myself/others to obey rules forever.

50. To share is to be the dolphin in ... & compel
  myself/others to stay in agreement forever.

51. To unite is to be the dog soldier in ... & compel
  myself/others to remain loyal forever.

52. To control is to be the frog in ... & compel
  myself/others to dominate others forever.

?. To judge is to be the giant in ... & compel
  myself/others to follow the law forever.

53. To organize is to be the clerk in ... and compel
    myself/others to crave accuracy forever.

54. To Co-operate is to be the robot in ... & compel
  myself/others to depend on machinery forever.

55. To participate is to the be mermaid in ... and
   compel myself/others to need approval forever.

56. To expand is to be the mouse engineer in ... & compel
  myself/others to overwork forever.

57. To reproduce is to be the insect in ... and
   compel myself/others to desire offspring forever.

58. To satisfy is to be the caveman in ... and
   compel myself/others to feel lust forever.

59. To join is to be the cat in ... and compel
   myself/others to crave sex forever.

60. To care for is to be the birdgirl in ... & compel
  myself/others to stop everyone from harming each other forever

61. To feel is to be the bear in ... and compel
   myself/others to need sensation forever.

62. To replenish is to be the old arab in ... and
   compel myself/others to be tired forever

63. To eat is to be the tiger in ... and compel
   myself/others to be hungry (crave food?) forever.

64. To endure is to be the pyramid in ... and
   compel myself/others to stay the same forever.


64. To dissipate is to be the mummy in ... & compel
  myself/others to waste away forever.

63. ?

62. To age is to be the old man in ... & compel
  myself/others to grow old forever.

61. To torture is to be the goddess in ... & compel
  myself/others to unreality (or to feel nothing?) forever.

60. To torture is to be the devil in ... & compel
  myself/others to cruelty forever.

59. To separate is to be the black cat in ... & compel
  myself/others to stay apart forever.

58. To ridicule is to be the moron in ... & compel
  myself/others to make fun of people forever.

57. To infest is to be the insect in ... & compel
  myself/others to be everywhere forever.

56. To contract is to be the maniac in ... & compel
  myself/others to withdraw forever.

55. To debase is to be the elephant girl in ... & compel
  myself/others to make people degrade themselves forever.

54. To individuate is to be the iron horse in ... & compel
  myself/others to shun people forever.

53. ?

?. To accuse is to be the ogre in ... & compel 
  myself/others to blame others 

52. To rebel is to be the gargoyle in ... & compel
  myself/others to (crave violence?)  forever.

51. To conquer is to be the war hawk in ... & compel
  myself/others to make war forever.

50. To own is to be the sea monster in ... & compel
  myself/others to grasp everything forever.

49. To undermine is to be the hypnotic robot in ... & compel
  myself/others to obey forever

48. To disagree is to be the snake in ... & compel
myself/others to create dissension forever.

47. To infect is to be the germs in ... & compel
  myself/others to be sick forever.

46. To hide (obscure?) is to be the octopus in ... and
  compel myself/others to withhold (obscure?) things forever.

45. To rot is to be the fungus in ... & compel
  myself/others to decay forever.

44. To abandon is to be the hobo in ... & compel
  myself/others to abandon things forever.

43. ?

42. To dissolve is to be the aneoba in ... & compel
  myself/others to loose havingness forever

41. To misplace is to be the cricket in .... & compel
  myself/others to have problems finding things forever

40. To Disembody is to be the invisible man in ... & compel
  myself/others to make things unreal forever (?).

39. ?

38. To reject is to be the wolfman in ... & compel
  myself/others to be angry at everyone forever.

37. To randomize is to be the griffin in ... & compel
  myself/others to be unable to predict forever.

36. To profane is to be the monk in ... & compel
  myself/others to perform vile acts forever.

35. To disconnect is to be the spider woman in ... & compel
  myself/others to cut communication forever.

34. To disabuse is to be the Jackal in ... & compel
  myself/others to scoff at peoples beliefs forever.

33. To obscure is to be the smog monster in ... 
   and compel myself/others to manufacture blackness forever

32. ?

31. To attack is to be the gorilla in ... & compel
  myself/others to cynicism forever

30. To disagree is to be the snake in ... & compel
  myself/others to create dissension forever

29. To pervert is to be the satyr in ... & compel
  myself/others to debauchery forever.

28. To make ugly is to be the old witch in ... & compel
  myself/others to see the underlying ugliness in things forever

27. ?

26. To degrade is to be the demon in back and compel 
  myself/others to pessimism forever.

25. To divest is to be the troll in back and compel
  myself/others to see the worthlessness of things forever.

24. To shatter is to be the batman in ... and compel
  myself/others to shatter reality forever.

23. ?

22. To unstablize is to be the goon in ... and compel
  myself/others to break machinery forever.

21. To tear down is to be the wrecking crane in ... and
  compel myself/others to smash things forever.

20. To confuse is to be the zombie in ... and compel
  myself/others to make mistakes forever.

19. To misdirect is to be the scarecrow in ... & compel
  myself/others to be confused (about direction?) forever.

18. To disorient is to be the spinning top in ...
  & compel myself/others to be lost forever.

17. To discombobulate is to be the one-man-band in ...
  & compel myself/others to destroy order forever.

16. To bring chaos is to be the black panther in ... & compel
  myself/others to disperse things forever.

15. To implode (stop motion?)(fixate?) is to be the witch in ... 
  and compel myself/others to despise everyone forever (?).

14. To distort is to be the walrus in ... & compel
  myself/others to distort bodies forever.

13. To fragment is to be the worm in ... and compel
  myself/others to make everything crumble forever.

12. ?

11. ?

10. ?

9. To steal is to be the Raccoon in ... & compel 
  myself/others to take things forever.

8. To forget is to be the troll in ... & compel
  myself/others to lose track of things forever.

7. ?

6. To misunderstand is to be the cripple in ... & compel
  myself/others to misunderstand forever.

5. To mislead is to be the false prophet in ... & compel
  myself/others to dub in pictures forever.

4. ?

3. To unmock is to be the energy mass in ... and 
   compel myself/others to take things apart forever.

2. ?

1. To destroy is to be the devil in ... and compel
  myself/others to make nothing of reality forever.



Nov 11, 1990

This is a very early implant universe.  It occurs prior to the 
Agreements Universe and the Home Universe Matrix but is after 
the original Jewel of Knowledge.  It could also be referred to as 
the "existence" implant since the goal "To Exist" is a key factor 
throughout the implant.

The incident is prior to our narrowing down to 3 dimensions and 
probably contributes some weight to the narrowing down.  It is 
possible to run this and spot the 4D mockups to some degree even 
if you haven't run the incidents which were designed to block 4th 
dimensional perception.  This incident was the first 4D incident that 
I research and it might be necessary to run it first.  It probably has 
to be re-run after cleaning up other 4D incidents and unblocking 4D 

The implant universe itself seems to be a 5 dimensional construct, 
but the perceptions in the incident, and the objects and mockups 
used generally have 4 dimensions, hence the title I assigned to it.  
I.E., these are 4 dimensional experiences which might be seen as 
an array of consecutive pictures within 5 dimensions.  The 
pictures are arranged in a downward spiral and you feel the turn 
as you move from one goal on to the next.

Running the incident will require some understanding of higher 


The term "higher dimension" is really a misnomer.  One dimension 
is not higher than another.  If we are dealing with a 3 dimensional 
object, none of the 3 dimensions are senior to the others.  If we 
make some 2 dimensional drawings of the object, we can select 
any 2 out of the 3 dimensions for our portrayal.

It would be proper to refer to a 3 dimensional object as being of a 
higher order than a 2 dimensional object.  In a similar way, a 4 
dimensional object is of a higher order than our normal mockups, 
but we could choose any 3 of its 4 dimensions for portrayal in this 
universe.  So the missing dimension is not really "higher", it's just 
extra.  Pick an object in the room and imagine that there is more 
of it extending off in an extra direction without it bumping into the 
things around it.  Another useful exercise is to pick an object and 
imagine it dwindling off in the distance without moving from its 
physical universe position.  The distance it is moving away in is a 
4th direction which would require a 4 dimensional co-ordinate 
system to describe.

In an implant universe, an extra dimension is necessary to handle 
the fixed track time component.  This also applies to story type 
universes (e.g. enjoyable rather than harmful).  If we have a 2 
dimensional mockup, such as a cartoon drawing, we can stack 
many of them up in 3 dimensions and flip through them to get the 
apparancy of motion.  This is the way we make movies and 
cartoons.  We build a series of 2 dimensional mockups and make 
time the 3rd dimension.

In the home universe era and later, where we are operating in 
only 3 dimensions, implant universes are generally 3 dimensional 
mockups stacked up in a 4th dimension.  In this 4D implant, it is 4 
dimensional pictures stacked up in a 5th dimension.

Note that using a time dimension is a very special purpose 
application.  It is done to record things.  Normal life does not 
utilize a time dimension.

In recent track, the mockups all seem to have 3 spatial 
dimensions.  Sometimes there are multiple 3 dimensional universes 
interrelated in a 4th dimensional frame, but the mockups are still 3 
dimensional.  In this case, you might have one reality intersecting 
with another and appearing in it as a sort of flat picture.  You can 
"turn" into the picture and step into it (going off at a different 
angle) and then it's a 3 dimensional space and the other reality 
looks like a flat picture.  The same can occur with 4D mockups in 
a 5D framework.  I.E., you can turn in a 5th dimension and swing 
from one 4D space into a different one.  This may be the "turn" 
that you feel as you shift between goals in the incident described 

Another interesting thing to note is that an object with more 
dimensions can look like a near infinite number of different objects 
from a lesser dimensional framework.  Imagine a 3 dimensional 
sphere being seen from a 2 dimensional framework.  Consider the 
2D frame to be a sheet of paper which cuts through the sphere.  
There are an endless number of different positions and angles 
that the paper can be in.  The 2 dimensional reality would see the 
sphere as any one of an infinity of circles ranging in size from a 
point up to the diameter of the sphere.  Also, there would be many 
different circles of the same size cut from different angles 
through the sphere.  But in the case of a sphere, a single two
dimensional plane would only intersect one of the possible circles.
Now consider a 3 dimensional coil of rope.  If you imagine a 2
dimensional plane intersecting it, you will see that the single
3 dimensional object intersects the plane many times and would
appear to be a large number of separate circles in the 2 dimensional

For another example of looking at a higher dimensional object which might 
seem like many separate objects in the lower dimension, consider 
seeing a chair from a 2d reality.  If the 2D plane cuts through the 
4 legs of the chair, it will look like 4 squares that are quite far 
away from each other and seem like they are separate objects.


The incident uses the sequence of 64 penalty universe goals.  For 
each goal, there are 3 scenes which might be referred to as Be 
(being the terminal), Do (doing the goal), and Have (seeing the 
results, which will turn out to be a problem).

There are some items in the implant, but they are not expressed in 
words or even as simple consecutive telepathic concepts.  Instead, 
there seems to be a "thought package" which is received as a unit 
and may express a number of concepts simultaneously.  It's a sort 
of 4D thought.  At the beginning of each goal, there is a single 
thought unit which seems to contain the following 2 sentences:

To exist is to (goal).
To (goal) is to know the (meaning / reason / purpose) of 

The words are just an approximation.  Its really a set of 
interlocked major thoughts which form a package that you receive 
and understand as a single unit even though there is more than 
one concept present.

Each goal begins with you "turning a corner" in the 5 dimensional 
spiral.  Then comes the item given above.  Next you feel a slight 
shift and then you are in a 4D universe being the terminal.

The terminals are 4D mockups that form a sort of 5D body.  You 
are this single object (or whatever) which appears as an endless 
number of objects in the 4 dimensional frame.  The actual mockup 
appears to be a 4 dimensional object with an extra dimension used 
to replicate it infinitely.  For example, the body might be a sort of 
4 dimensional golden trumpet.  There might be trillions of these 
trumpets scatted through the 4D space, not touching each other, 
and you are all of them, but you are only a single trumpet that is in 
direct physical contact with itself everywhere.

I have tried to approximate these 4D objects using 3 dimensional 
terms.  It's not quite right and you'll have to feel around for the 
actual mockup, but its the best we can do considering our 3D 

Once you perceive yourself as the terminal, there is a second 
shift and you are doing the goal.  It seems as if you're doing the 
goal in all your body segments throughout space and time and a 
lot happens but at the same time it seems like just a single unit 
experience of doing the goal.  In other words, there is just a 
single feeling, a sort of "uumph" of doing the goal and then it has 
happened infinitely.

Then comes the third shift and you see the consequences of 
having done the goal.  This comes to you as a single thought 
package with many implications.  The consequences will be a 
problem which is solved by doing the next goal.  So you move 
forward out of the 4D picture and turn the next corner.

As you move through the goals, you start to get very anxious 
about moving on to the next goal to get rid of the latest problem.  
You begin to push yourself forward and build up momentum.

In some manner, every 4 turns takes you around the spiral and 
brings you one rung lower (i.e. the 4 goals of one dynamic give 
you one circuit around the spiral and the next dynamic is 
underneath).  But there is also a major cycle where the second 
half of the spiral (the lower 8 dynamics) seems to come in under 
the first half spiral.  It is as if there were 2 spirals acting like 
springs intertwined together so that the 8th dynamic is immediately 
under the 16th etc.  The spiral seems to go straight down and the 
shift from the 1st to the 2nd half occurs without a break in the 
spiral so it may be that it is really angling around in a 6th 
dimension (or maybe the entire space is curved) to get this 
doubling effect.  When you move into the 8th dynamic items, you 
feel the added weight of the upper spiral as a sort of pressure 
somatic.  By the time you get down to the 4th dynamic, it feels 
very thick like being underwater.  It is also possible that these
two sets of 8 spiral turns form a double helix as in DNA.

I'm not entirely certain about the context of the incident.  It seems 
like it is brought into being by group postulation.  You're there in 
the "middle" of a group of beings and then the incident is created 
around you.  You can spot this happening to you and also can spot 
creating this for someone else and watching others create this for 
others.  It seems like there is a template which has the pattern and 
concept of this thing and then a group of beings get together and 
sort of say "lets do it" and then bang, they actualize the template 
and there is this glowing silver spiral (double helix?) hanging there 
in empty space.  The victim is looking at it and then moves (or is 
compelled to move) to the entry point at the top of the spiral and 
pushes into it.

It is also possible to look earlier and spot building the spiral.  
PMEs and other entities are capable of spotting this so it must 
have been a constructed as a group effort.

There may also be other early 4D implants which use this spiral 


a-1) spot creating the spiral for others,
a-2) spot others creating the spiral for you
a-3) spot others creating the spiral for others
a-4) spot creating the spiral for yourself.

b) The spiral appears and hangs in empty space, it turns until the 
entrypoint is facing you.

c) you move to the entrypoint.  (also spot intending others to move 
to the entrypoint).

d) you flow into it (close up it looks like a silver hollow square, 
sort of like a picture frame).

e) There is a flash of light and you get the first item (as a thought 


(or the cosmic all, or the complete impulse of god, etc. - many 
translations are possible.)

(again many translations are possible).

With this item, a mockup of the jewel of knowledge appears 
before you and bursts into a great flash of light.  When the burst 
fades, you see stars and slide forward toward them.  Then you 
feel the first shift as you enter the first picture.


Run each goal as follows:

1. For the first goal, run the beginning sequence given above.  On 
subsequent goals, spot turning the corner.

2. Spot the items "To exist is to (goal)" and "To (goal) is to know 
the (true) meaning of existence".

3. Spot the first shift and then spot being the terminal.

4. Spot the second shift and then spot doing the goal.

5. Spot the third shift and then spot the consequence of doing the goal.

6. Spot turning the corner into the next goal.

The goals, terminals, doingness, and consequences are given in 
the list below.


----- 16th dynamic (creation) ----

Each one leaves you with a problem that is solved by doing the next

1. To Create.
You are a cloud of glowing golden dots.  You create 4th 
dimensional creatures and things.  (the creatures seem to have 
many different 3 dimensional faces or aspects that look a bit like 
the various penalty universe body types - i.e., one creature will 
look like many different 3D beings).
Consequence: the creations all go out of control and run away.

2. To Mockup.
So you become a set of green frames, like pieces of film, that shift 
around in various alignments.  The frames reflect the 3D bodies and hold 
them in orientations so they stay under control.
Consequence: The creations are lacking in vitality (too thin, 
overly controlled).

3. To Intensify.
To handle this you become a set of tendrils of energy which trail out 
from what seem like telescopic sights (there are many of these).  This 
strengthens the creations and makes them solid and persistent.  But you 
still have them tightly controlled and now they don't move.  It seems to 
boring, not original enough.

4. To Imagine.
Next you are sort of like a collection of lightbulbs which shine ideas 
onto everything.  Now everything goes into intense motion.  But it 
is too chaotic.  The various illusions don't integrate well.  You 
realize that you don't understand what is going on.

----- 15th dynamic (knowingness) ----

5. To Know
Your body is like clusters of nerve ganglia trailing through space.  
This lets you know what is happening, but the perceptions are not 
integrated or correlated, so they are meaningless even though 
you know everything.

6. To Absorb.
So you become a series of clouds which permeate things.  This lets you 
perceive things in relation to each other.  But there is no time or 
retention of data, so it cannot be differentiated.

7. To Understand.
Next you are a series of jugs or bottles (almost like kline bottles).  
With these you retain data and gain timesense.  But the data is all 
weighted equally and there is no relative importance.

8. To Learn.
So you become a series of rods and wheels (with teeth as in gears 
etc.).  You poke these around and learn the relative nature of 
things and can now evaluate them.
Consequence:  but now you know all about everything and all of 
its past and future and it is all too boring and predictable.  It is a 
no-game condition.

----- dynamic 14 (games) ----

9. To Play.
You handle this by becoming a series of whisk brooms which bat things 
into motion and make flows.  This introduces randomity and interest.  But 
you see that all the motion is pointless and needs some purpose.

10. To Exchange.
You are an infinite set of golden wheels.  The wheels are 
exchanged between the creations and inspire the creations to fair 
exchange.  Now the game consists of trading.  But it is much to 
well regulated and predictable, it is too simple and there is too 
much order in it.

11. To Compete.
So you become a series of cannon like things which put out 
energy blasts that set the creations to moving against each other 
and inspire conflict.  So they fight.  But there is no fairness or 
balance to it, it is just chaos and therefore still pointless.

12. To Manipulate.
You become a set of silver spheres.  These make the creations 
manipulate the exchanges to compete and get ahead of each 
other.  Some win and some loose.  It is better and more interesting 
than before.  But you see that there is not enough variety to make 
the game really interesting.  The creations are all too similar.

----- 13th dynamic (change) ----

13. To Shape
Your body consists of many grids / box girders formed of green 
lines that angle off in various directions.  With these you shape 
the creations so that the 3D aspects are very precise.  You have 
the creations interact directly only on a 3D level so that specific 
different 3D aspects of various creations will come up against 
each other in various ways.  But the creations are still all very 
much the same from a higher viewpoint and therefore it is still too 

14. To Change.
You are a collection of spinning white spindles (like they have in 
big textile mills).  They spin at varying rates and radiate change, 
so the creations change, but at different rates depending on which 
aspects face the spindles and how far away they are.  But now the 
creations cannot relate to each other at all.

15. To Combine.
You are these double wheels which are liked by a bar (like a 
bicycle).  The wheel pairs overlap pairs of creations and cause an 
interchange of elements.  This makes all of them partially 
combined with each other.  But now it seems too chaotic and you 
can't differentiate one creation from another.

16. To bring order.
Your body is like treetrunks with branches that make things flow 
together and apart.  The creations array themselves by similarities 
and differences.  It is pleasing.  But its now a bit too predictable 
and there is still no real meaning to any of it.

----- 12th dynamic (Reason) ----

17.  To Reason.
Your body consists of many clusters, each of which is a pattern of 
golden dots (like the ones in To Create above) linked together by 
golden lines.  The dots in the structures cascade together (i.e., 
feed into each other up to a culminating point) forming a sort of 
computer.  You assign meanings to everything, but the patterns of 
meaning and the physical locations are equivalent because 
everything is grouped by similarities and differences.  So the 
pattern is too obvious and there is no motion.

18. To Orient.
Your body is a collection of ruler like frames, sort of like the 
body type of To Mockup but with co-ordinates marked on them.  
You shift the creations around and try to keep them oriented, but 
it becomes very chaotic and everything goes into excessive 

19. To Compute
So you become these bundles of rods (or straw or wheat) which 
interconnect everything and compute the relationships.  But now 
everything becomes too pre-determined and does not move.

20. To Guide.
Your body is a collection of Silver Stars which shine.  With these, 
you act as a guiding light and lead things to different 
relationships.  It is pleasing but there is no permanency and no 

----- 11th Dynamic (Construction) ----

21. To Construct.
Your body consists of levers on fulcrums, sort of like seesaws.  
You push the mobile creations into building the other creations 
into permanent structures.  This gives havingness but there is no 
plan and it is all chaotic.

22. To Engineer.
So you become a series of golden drops which fall on things and 
permeate them and assign meaning and purpose to the 
arrangements.  But it is still too thin and lacking in havingness.

23. To Build.
Now you become spinning cylinders.  You encompass things and 
compress them together and build them into things.  But now it is 
all too solid and there is no space or motion.

24. To Structure.
So you become these oblongs (like dominos) with claws.  There is 
a sense that these are a sort of 4D tractor.  With these you 
arrange the creations and pull things apart and introduce space 
but keep some solidity and interrelationships.  It is now at a 
pleasing level of solidity, but it is not interesting enough.  
Everything seems too perfect and functional, there is no beauty.

----- 10th Dynamic (Aesthetics) ----

25. To Invent.
You are comets which leave trails of glowing dust behind them.  
The trails introduce impurities, arbitraries, and imperfections 
which make things more interesting.  But the changes are all 
arbitrary and without meaning.

26. To Inspire.
So you become a series of little golden trumpets which flow 
meaning and inspiration into the arbitraries (they produce a flow 
which is a 4D equivalent of sound, but is not sound as we know 
it).  But these inspired particles are lost in the vastness of the 
other creations.

27. To Enhance.
So you become a set of little white candles with golden flames.  
These strengthen and highlight the impurities.  But you see that 
the impurities do not align with each other and therefore the 
overall result is ugly.

28. To Beautify.
So you become a series of silver bells which cause the impurities 
to interrelate and vibrate in sympathy with each other and as a 
result the creations become beautiful.  It is very pleasing but the 
beauty is ephermal and transient and you can't hold on to it.  The 
appearance of one thing of beauty draws away the strength of 
other ones because everything vibrates with the new item and the 
old ones deteriorate and fade away.

----- 9th dynamic (Ethics) ----

29. To Strengthen.
You become a series of golden explosions ( - I originally had this 
down as triangles or columns) which flow energy into the beautiful 
creations and give them persistence.  But the ugly ones persist 
with the beautiful ones.

30. To Purify.
So you become wreaths of fire which purge the creations of 
undesirable elements.  But you can't always tell which are the 
good ones and the creations accuse each other.

31. To Evaluate (to arbitrate).
So you become these things which are a bit like veneer calipers, 
but in pairs which balance one against the other.  You balance 
sides and settle the differences.  But then the creations attack 
each other to weaken their opponents and sway the balance in 
their favor so that they will be granted more persistence.

32. To Defend.
So you become these mesh like energy screens which you use to 
protect the creations from each other.  But the creations are now 
resentful of your interference.

----- 8th Dynamic (religion) ----

33. To Enlighten.
So you become these things that seem like narrow little stacks of 
fanfold paper which contain explanations.  You attach these to 
things.  They unfold sideways in an extra direction.  But the 
creations don't believe the explanations and continue to resent 
you and begin arguing about the meanings and come even further 
into conflict with each other.

34. To Convert.
So you become a series of heavenly gates which bring the 
creations to awareness and reverence for yourself.  But the 
creations still don't understand.

35. To Connect.
So you become these staffs of light which shine on the creations to 
bring them into communication with you.  Now they understand 
but they still will not obey.

36. To Be Worshipped.
So you become thunderclouds which emit lightning and force them 
to worship and obey you.  But now the creations are all afraid and 
therefore unasthetic.  You're not pleased with the result.

----- 7th dynamic (spirit) ----

37. To Predetermine.
So you become a series of green roads which angle off into the 
future.  With these you project good futures for the creations so 
that they will not be afraid.  But now that they have been re-
assured, they each go off their own way and will not work 
together with each other.  To avoid each other, they all disperse 
into all of space and time.

38. To collect.
Your body is like a series of wicker baskets.  You collect the 
creations all back together but they repel each other and this 
makes an undesirable pressure.

39. To Influence.
So you become these tiny white angels with golden wings.  With 
these you influence the creations towards affinity and attraction 
for each other.  but now they all melt together and loose 

40. To Permeate.
You become a series of transparent spheres (like soap bubbles).  
You permeate the creations and push in space (created within the 
spheres) to hold the creations apart.  But it is still a confusing mess 
and you can't figure out which creation is which.

----- 6th dynamic (Mest) ----

41. To Locate.
So you become a series of silver crosses (these are like religious 
crosses, but their purpose is to locate things, the longer bottom 
bar is to make it clear which way the cross is aligned.  Apparently 
these were later used to keep someone located in the grave, and 
in that manner became wrapped up with religion).  You precisely 
locate each creation to aid in distinguishing them.  But now there 
is no motion (yet again).

42. To Energize.
So you become these spinning spheres of gold (like suns) which 
emit streams of energy (like solar flares) that fall onto everything 
and fill it with energy and motion and the urge to move.  But now 
things don't seem solid enough (they flit around too much and 
most of the structure and havingness has been obscured by these 
later actions).

43. To Solidify.
So you become these spinning cones that suck things in (into the 
bell of the cone) and force them to condense (at the point of the 
cone).  but in condensing, great vacuums are left between the 
solidified creations.

44. To Gather.
So you become these fishing nets which gather everything 
together.  Now it is good havingness again but it is not aesthetic or 
interesting or complex enough.  It is a hodge-podge collection of 
masses rather than an interesting structure.

----- 5th dynamic ----

45. To Grow.
Your body type is a 4D cloud of glowing golden dots and rods 
(much like the GE body).  With this you make the creations evolve 
and structure themselves in aesthetic and interesting patterns.  But 
it is all pointless because the creations are now all different and 
don't relate to each other.

46. To Discover.
So you become a flock of golden arrows which drive the creations 
to discover and interact with each other.  This is pleasing but the 
creations abrade against each other and break off pieces and 
cause much damage.

47. To Heal.
So you become something like golden parameciums which "swim" 
around within the creations and repair the damage.  Now the 
creations survive better but they still clash and don't fit well 

48. To Establish.
So you become golden harnesses which tie the lifeforms together 
and establish patterns of relationships between them.  But now the 
creations come into conflict (yet again, but now these are much 
larger, more solid creations of a different order of magnitude than 
the ones earlier).

----- 4th Dynamic ----

49. To Share
Your body type is a series of things like snowflakes (or spider's 
webs) which interconnect the creations to reduce the conflicts.  
But this makes the creations into clusters which avoid each other.

50. To Unite.  
So you become these drums which put out vibrations that drive 
them together.  This makes the clusters tie together, but now each 
one tries to force the others to be like it and follow its pattern and 
there is still excessive conflict.

51. To Control
So you become these things like forceps (or salad tongs) which 
hold the creations and keep them from fighting.  But they blame 
each other and try to 3rd party you to get you to do in their 
opponents.  You can't figure out who's right and who's lying.

52. To Judge.
So you become a set of scales which can balance things and settle 
disputes.  But you see that the real problem is that there is no 
overall organizing pattern on which to base the interrelationships.

----- 3rd dynamic (groups) ----

53. To Organize
Your body type is a set of things that are sort of like shelves with 
mechanical arms attached.  With these you arrange things.  But the 
creations don't agree with the organization pattern.

54. To Co-Operate.
So you become these antennas which put out lightning bolts to 
force the creations to co-operate.  But they don't like it.

55. To Participate
So you become these heater coils which radiate warmth and good 
feeling when the creations come together.  It is pleasant, but now 
it is all too small (too little of the original creations made it through 
all of the above, and you built and combined them into complex 
structures, so there aren't very many).

56. To Expand.
So you become these golden bubbles (balloons) which keep 
expanding outward (in concentric rings) which inspire the 
creations to expand.  But there are no more of the creations than 
there were before, so things become thin.

----- 2nd Dynamic ----

57. To Reproduce.
So you become these floodlights (like clamp lamps) which shine on 
the creations and make them copy themselves (split and duplicate).  
But they don't like it (it makes for competition from copies of 
themselves and is invalidating) and try to avoid the process.

58. To Satisfy.
So you become these mirrors which reflect the creations 
throughout existence.  This makes the creations see themselves as 
copies extending out to infinity and gives them a desire for this to 
occur.  This makes them want to reproduce, but the copies are all 
identical and there is not enough variety (there are only a few 
different originals).

59. To Join.
So you become a series of golden double helixes (like DNA, and 
very similar to the spiral itself).  This causes pairs of creations to 
each make a half copy to produce a composite that is a mixture of 
both.  But the creations don't like the resulting copies (they are 
different from them and don't quite satisfy the business of 
extending the original out to infinity).

60. To Carefor
So you become these white fur balls (or puffballs) that send out 
little white dots that interconnect the creations to their partial 
copies and inspire love for them.  But now the creations are 
careless of themselves in favor of their offspring and fall apart 

----- 1st Dynamic ----

61. To Feel.
Your body type consists of towels that stroke things.  This makes 
the creations feel and carefor their own existence.  But now you 
see that the originals run down anyway after producing offspring.  
You realize that this is because they get used up.

62. To Replenish.
So you become these oil can like things that give the creations the 
urge to renew themselves.  But they have nothing to renew 
themselves with.

63. To Consume (to eat).
So you become these aneobas which show them how to ingest 
things to replenish themselves.  At first they do this by absorbing 
the fragments left lying around by the above sequence of 
creation.  But this soon runs out and then they have nothing to 
renew themselves with.  So they begin eating each other.

This disgusts and horrifies you.  You want them to stop, but you 
don't know how to do it.  You look forward to the next goal which 
will solve this terrible problem.  So you turn the next corner.

64. To Endure.
You become a set of golden pyramids.  With this comes the 
knowledge that there is no solution but to endure the current state 
of affairs (this is your doingness for the goal).  You are horrified 
by this, but you also "know" that it only would get worse if you 
continued on.  You must put up with this or the next solution will 
be even more terrible.  With this you are given a sort of "glimpse" 
of the next solution which would be for you to become food for the 
creations and you are given the impression of a further downward 
sequence which gets worse beyond it, but in which you would not
participate because you would have been consumed by your own

The End of the Implant:  Then you hang onto the goal "To 
Endure" and just stay there until you feel yourself pulled out.  
You look and see that you have come sideways out of the middle 
of the spiral.  Then you are told something like "look, we have 
rescued you, you should be grateful to us and work for us" (these 
are the same characters that pushed you in in the first place).


There are other things to run with this besides the implant itself.

First, you can do a very enjoyable mockup drill of putting each of 
the 64 body types into a mest object.  Put in thousands of tiny ones 
(i.e., fill an ashtray with thousands of tiny golden trumpets to 
inspire it, etc.).  This may be the actual anatomy of mest.  After 
doing this, also make up your own arbitrary mockups and fill up 
objects with them too (no sense staying in compulsive agreement).

Second, you can find 4D machinery which matches each of these 
64 body types.  Run it as follows:

a) spot the machinery that is being it currently.
b) have it spot being made into a machine, and the first time it was 
made into a machine.
c) Have it spot "To (goal) is native state".
d) Have it spot "Before the beginning there is nothing but the will 
to exist".
e) have it spot building the spiral.

Usually all of them for a particular goal seem to blow on one pass.  
But you can check for another PME being the machinery if it 
seems to indicate.